A depiction of class conflicts in Germany between 1918 and 1945. The Spartacist Erwin is shot by officers in 1918, and his pregant working-class bride Marie begins a new relationship with social democrat Geschke. Erwin's son Hans grows up to be a communist like his father, leading to bitter hatred between him and his Nazi step-brother, while Geschke becomes increasingly resigned to the political situation in Germany. The three aristocratic officers who shot Erwin many years ago meet again during the Kapp Putsch, but their support for the Third Reich eventually leads each to their deaths.

When five friends head to the woods for a weekend of drug fueled madness their night soon descends into chaos when they pitch up next to the grave of a local missing child.

Based on a true story, Barbara Hershey and Morgan Weisser portray two star crossed lovers who will stop at nothing to be together without any ridicule. "Stay the Night" tells the dark tale of the controversial romance of a small town teenage boy named Michael Kettman and a free-spirited older woman named Jimmie Sue Finger, who suffers from an abusive marriage. Jimmie Sue and her younger lover plot to murder her husband, which leads to either eternal bliss for the both of them or a curse on their relationship.

Based on a true story, Barbara Hershey and Morgan Weisser portray two star crossed lovers who will stop at nothing to be together without any ridicule. "Stay the Night" tells the dark tale of the controversial romance of a small town teenage boy named Michael Kettman and a free-spirited older woman named Jimmie Sue Finger, who suffers from an abusive marriage. Jimmie Sue and her younger lover plot to murder her husband, which leads to either eternal bliss for the both of them or a curse on their relationship.

Retrospective documentary about the making of "Return of the Living Dead Part II."

Two men work in rival car parks in a city that's quickly changing around them. They learn the news that their jobs no longer exist, and have one final week to say a proper goodbye.

A 17-year old boy tries to do the right thing by assuming responsibility for his pregnant girlfriend, but he feels pulled in two directions: staying, or leaving.

This film is a creative reflection on the trans-generational trauma Ukrainians live through and how more and more younger generations are affected by it. Fairy tales have always said something true about the society we've been living in. It is the case of "STAY". This short film is a metaphor for war and the ever-lasting trauma caused by it. Children are the first victims of it.

The long-awaited second feature film by Billy Woodberry recovers the legend, legacy and ultimately tragic life of Beat-poet Bob Kaufman (1925-1986), skillfully melding recitations of his verse together with rare archival photographs and interviews to offer a moving homage to the artist often called the “American Rimbaud.” Like Bless Their Little Hearts (1984), Woodberry’s celebrated neo-realist debut film, And When I Die, I Won’t Stay Dead chronicles with great sensitivity an unwritten chapter in the history of marginalized America, shedding new light on Kaufman’s still underappreciated poetry and the difficult struggles of the half-black, half-Jewish and fervently left-wing poet. A poet of the oral tradition, Kaufman’s verse was neither written nor recorded and threatened to disappear entirely if not for the valiant efforts of his second wife to publish her husband’s work. Equally fleeting was the figure of Kaufman himself, who once declared that his “ambition is to be completely forgotten” and who, at the height of his creative powers, took a self-imposed and apparently unbroken ten-year vow of silence in haunting lament for the assassinated John F. Kennedy. Woodberry, whose own thirty-one-year break from filmmaking is subtly acknowledged by his film, reasserts Kaufman’s fleeting yet vivid figure into the art and poetry scenes transforming Greenwich Village and San Francisco’s North Beach, offering first-hand accounts of Kaufman by fellow poets such as Jack Hirschman, as well as extraordinary photographs of the Happenings and haunts animated by Kaufman’s indelible presence. Especially resonant is Woodberry’s careful use of Kaufman’s own words, released like birds throughout the film, together with the understated fragments of the jazz and conga drums that so inspired the unique cadence and visionary language of Kaufman’s extraordinary poems. – Haden Guest

Maggie and Negan travel to post-apocalyptic Manhattan - long ago cut off from the mainland. The crumbling city is filled with the dead and denizens who have made it a world full of anarchy, danger, beauty, and terror.